What Results Can You Expect From Sound Treatment?.Where and How Do We Apply These Acoustic Wall Panels?.Who is Sound Treatment For & When Do We Use It?.Prepare for your adventure through the following topics: Once you crack open this can of worms, you’ll never get enough! All you need to know and more is coming straight at you in the LedgerNote Acoustic Treatment Guide, in 3… 2… 1… Just so you know, this is highly addictive stuff. Get ready to learn the what, when, where, why, and how’s, and the if’s, and’s, and but’s. The only way to get around the acoustics of your environment is to record in the vacuum of deep space (there’s no medium to even carry the soundwaves!), or to treat your walls with acoustic panels or acoustic foam. While they have the most killer signal chain in their city, state, or nation, they don’t realize that a recording’s quality is limited by it’s acoustic environment. That’s because most people get addicted to the “fun” part, which is plugging in cables twisting knobs on mixers, preamps, and compressors playing their instrument and day-dreaming about all of the compliments they’ll receive for their awesome song. And at the end of the day, their recordings sound like crap. They buy the best pieces of recording equipment possible. People get real caught up with what those of us in the recording studio industry call G.A.S., which stands for Gear Acquisition Syndrome. They know when and where each is needed, and they know not to go overboard with it. That means they understand the importance of sound dampening, deadening, absorbing, reflecting, diffusing, and so on. The reason is that they are controlling their acoustic environment. The reason every major studio has these “boxes” hanging on the walls, or the walls themselves are made of cloth covering “something firm but soft,” is the same reason why their recordings and mixes come out pristine and beautiful, while amateur works sound like they were recorded in a small closet or a bathroom (most of the time they are!).
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